This 1946 memorable noir boasts a fine cast that includes: Peter Lorre, Dan Duryea, June Vincent, and the stunningly beautiful Constance Dowling. Based on the novel by Cornell Woolrich and directed by Roy William Neill, Black Angel’s storyline hinges on the elements that comprise many noir classics. Murder, blackmail, deceit, and a race against time to prove a desperate man’s innocence are the essential plot elements that propell Neill’s film through the uncertainties of urban darkness. Cheating husband Kirk Bennett (John Phillips) is wrongfully convicted of murder and is sentenced to die in the electric chair. This time it is a woman, Kirk’s wife Cahterine ( June Vincent) who intensifies the murder investigation. As Kirk’s execution date draws near, Catherine instills the help of an alcoholic songwriter, Marty Blair (Dan Duryea). Blair is the ex-husband of the murdered woman ( Constance Dowling). The unlikely pairing uncover a trail of clues that lead them to a swarthy night club owner named Marko ( Peter Lorre). Great performances by all actors highlight the picture. Lorre is excellent as the shaddy club owner who is being blackmailed. June Vincent as Catherine gives an admirable performance as she attempts to balance emotional distance and closeness with the rejuvenated Marty. But it is Constance Dowling as Mavis Marlowe who devours her screen time with vampish presence. Mavis exudes sexual danger as a pretensiously concieted singer who lives in a posh high-rise apartment surrounded by trinkets that reaffirm her beauty and status. Why Dowling never achieved the same screen stardom as actresses such as: Lauren Bacall, Barbara Stanwyck, or Rita Hayworth is mystifying. Maybe that is why films such as Black Angel are worth viewing over and over again.